Laura A. Cooper

With the wide array of dance DVDs now available, one might not think to choose a book in learning the basics of the dance. After all, a moving art in static form does not seem so inspiring; that is until you open the cover and see the clear and beautiful photos. No effort has been spared in photographing the diverse and beautifully costumed dancers for this book, with each step broken down into photos at differing angles.

Written and originally published in the UK in 2004, conveys warmth, sincerity, and a refreshing lack of ego. Laura’s writing voice is inclusive and caring and I found myself thinking of her as a friend and fellow teacher.

For those of us who have been teaching for many years, it is clear that students absorb and process learning in diverse ways. There are learning channels unique to each individual; visual, auditory, kinesthetic, intuitive. Ideally, as teachers we are skilled at presenting material in various ways to inspire students of every learning type.

One of the advantages of a good instruction book is that one can easily carry it and review each section while visualizing the movements and feeling the effect the on the body. This type of rehearsal through visualization while in an open and relaxed state has been shown to improve physical performance in every sport and performance art. You can be practicing and learning in this way even when it seems you are not ‘doing’ anything.

Laura has thought of everything, from a fine intro to dance history to chapters on the use of veil, wings, candles, cane, sword, and zills. I learned a few veil moves that I had never seen before. There are also three complete routines written in detailed choreography notes, for slow, medium, and fast tempos. Not one to follow choreography too closely, I still found it a nice addition for those who do love to be choreographed. Anyone who has taken on a project of this kind will appreciate the thoroughness and degree of organisation that went into this book.

I particularly enjoyed the final chapter on dance etiquette, written with true British finesse by a woman who obviously possesses self worth and dignity.

I would recommend to students of all levels for practice and review and to teachers who strive to better impart the intricate detail, richness, and beauty of our dance.

The only thing missing is information on how to join in on one of Laura’s classes when we are next in England.

Similar Posts:

• Belly Dance: Celebrating the Sacred Feminine: Book Review
• Sacred Dance of The Goddess
• The Ritual of Awakening